zwischen arcade fire und beirut: grosse gefuehle und grossartiger folkrock im dezember 2006 gruendeten jamie, rory, dave, andy, arne, ian und gill im schottischen edinburgh eine band - broken records. ihr sound verbindet traditionellen europaeischen folk mit modernem alternative rock made in scotland. bereits die erste 7-inch-single if the news makes you sad don?t watch it erschien auf dem coolen londoner label young turks und wurde von den ueblichen verdaechtigen gefeiert - von radio 1 bis nme. letzterer erklaerte broken records zu one of the countrys most exciting new bands. das albumdebut auf 4ad entstand im monnow valley studio in wales, wurde von ian caple produziert und vereint grosse gefuehle mit grossartigem folkrock zwischen arcade fire und beirut.

stephen hellm is back on k-records with a brand new release called “taste”, without a doubt a perfect title that really says it all. in the original version you get carried away by a dreamy melody and very subtle nature sounds in the background. listen to it at home lying in bed, or float above the dance floor in your favorite club. this is a multipurpose track.robert babicz has taken the remix side for his account. with some extra punch, a pulsating acid line, a sharp synth and even a piano riff, the master himself made it a real dance floor killer.

after a break from solo production for his own blueprint label, during which he released a well-received album ( the dash ) on the mighty tresor, and a brace of singles as o/v/r (with regis), james ruskin returns to home-ground with a cracking two-tracker. sabre is a classic ruskin production, booming bottom-end and a mind-mangling filtered fx loop swirling around over the top. deceptively simple production that is definitely greater than the sum of its parts, as all good techno should be. on the flipside, massk follows a similar template, with only 5 or 6 parts throughout the whole track, but the subtle changes in arrangement lure the listener in to the deep and dark world of mr ruskin...

our home artists are back on the label after a successfull album released on get phisycal music last summer. for this new output on circus company the two hat brothers delivers a unik two tracker based on that recette they got the secret from… first of all encore, the a side, is a dj friendly oriented track that will reminds you one of the early nôze output on circus company called pofamika which was released in 2005. the track is basicly composed by a strong bass line that keeps rollin rollin rollin and rollin over a solid beat and a few significative >nôzy< pads. all these elements are surrounded by a beautifull girl voice which quietly tells you what to do to relax. sexy french voice !!! you wish you could see her charming face between the grooves of the record… on b side, here is the message : meet me in the toilet! whats inside… well sounds like a quite nice groovy party. here comes the nôze with their horn horny sexion and chior duet.

1990 piano house classic!!

nice price deal !!! meltdown is of such quality and possesses a sound so completely timeless, that its no surprise it was originally snapped up by goldie for metalheadzs drum & bass headhunterz long player in 2006. now, what has become the insiders signature track gets a natura second home and deserved vinyl release on intrigue.

phantasma volume 2 by dinky, matthew styles and pier bucci is out now. this lovingly designed record is produced by three artists we really like and and it is just grea they decided to work with us again. matthew is damn sure one of our favourite producers and pier s skills are nothing short of his. on the last release we made with them, they d worked together as oblique strategies on balld inc. for phantasma volume 2 pier wrote a track on his own, highlighting the noble beats he is known for and expanding the explicit cadenced patterns with a chord phrase that leads the structure to perfection. dinky whose work was released on such labels as cocoon, traum, vakant and of course on her own imprint horizontal composed the other side together with matthew and you can sense their familiarity at once. the two arranged >choises< carefully, sleek and free of any kind of hubris. well, this attitude is hart to find these days and their versed piece may calm your stressed out ears both in the club and at home

nice price deal !!! essential & deep album by the man monoder aka jussi pekka! timeless beauty ! monoder. born in the cold north among industrial warehouses, people wearing only gray and random rabbits crossing the streets. his home town has two-lane streets which were made for the mass movement that never happened. physically close to civilization but mentally light years away. with the economic regression hitting hard, the town is filled with unemployed and old people wandering the streets and trying to find out what went wrong. like zombies of a mental desert. monoder. though the name sounds familiar, he has nothing to do with italodisco or electropop. the music, as the name, is filled with cold, stripped down and hypnotic atmospheres. taking you on a trip filled with hunger, cold breeze, forests and frozen tundra. the studio is on the roof-level of abandoned rubber factory, where disillusioned entrepreneurs try to get their daily bread doing what ever. moist pushing from the sealing and walls. water dripping during the mixdown. someone pulling cargo in the hallway.

together through life is bob dylans upcoming 33rd studio album (around his 60th album if you count official live albums and compilations). dylan produced the record under the pseudonym of jack frost, which he used for his previous two studio albums, love and theft and modern times. dylan revealed that the new record was heavily influenced by the sound of chess records and sun records. in an interview on his website bobdylan.com, the 67 year old singer compares the sounds of together through life, to the 1950s sounds of blues singers willie dixon and howlin wolf. dylan has a tough record to follow after his 2006 release modern times won two grammys and became his first number one record in the u.s. since 1976.

maybe there is no such thing as an autobiographic song in electronic dance music but valentino kanzyanis 33 certainly comes as close as it gets. marking the artists 33rd birthday in 2008 – the christs years as one would say in his home country of slovenia – the record was intended as a symbolic milestone in his highly successive career. as an artist who loves being surrounded by a crowd in professional as well as in personal life kanzyani soon began organizing huge birthday parties where he performed together with his friends. the sets were readily released on promo records, which received a lot of attention. finally, kanzyani & tomy declerque took it a step further by canalising the motivating atmosphere of their summer performance into a full-fledged studio release.

enigmatic producer kaºpar delivers 4 tracks which vary from punchy electronics to breezy house. first track, in the club comes in a wicked gerd remix and moves forward with a driving, deep bassline aided and abetted by punchy drums, fluttering rhodes and kaspar & his friends tripping, stoned & abstract vocals. it s an 6 minute opus which navigates a shifting array of predominantly instrumental passages, featuring some fine solos and never tiring before its sudden end. house of cards and calvary centre themselves much more on kaºpar s versatile ability to create pumping house that leans to the new york sound and float between house, jazz and soul. the whole affair plots a course through a constellation of styles suitable for both home listening as well as dj-play. this is house, not the lazy off the peg kind, but music which lives up to its name!

legendary soul-disco don demis roussos comes back with a killer new album after 20 years under the radar... and it s a 1000% winner for sure, as the man raise to the chalenge in style. blues and soul tainted, with a voice to die for.... the same artist who brought you at the time legendary tracks from >l.o.v.e. got a hold on me<, to >i dig you<, or >midnight is the time<, all played from david mancuso s loft to larry levan s paradise garage... limited collector vinyl pressing.

only a very few lucky people can call skatebards wonderful debut lp their own. >skateboarding was a crime in 1989< got released on telles electronic offshoot tellektro, home of great norwegian artists like annie or rÖyksopp. the key track on that album was >sgnelkab< which got played and loved to death by djs like sven väth, michael mayer and pascal feos. it instantly became a classic and always remained a secret weapon. the few copies available on discogs cost € 50 and more.... now >sgnelkab< is finally available on a full vinyl side and remastered to great effect! along comes a brand new remix by norwegian techno godfather mental overdrive (r&s). he turned the track into an insanely hot disco rave remix that already got great feedback from the usual suspects. the artwork was accomplished by another scandinavian legend: sähkös very own tommi grönlund!

berlin/lausanne based avant-garde label minimood unleashes more advanced dancefloor devastation, this time featuring tokyo resident sackrai and legendary kompakt cologne techno knight heib. on a1 etecite remix heib gets serious and unveils the truth and love of techno at the same time by working a pulsating monolithic bass tugs at a pounding kick in his unique breathtaking manner! while sackrai himself dives into a rich tapestry of electronic jewel encrusted forward thinking minimal with twaye on b1. finally, sackrai provides a fine piece of beautiful understated minimal, where shuffling metallic tones recycled from a dubious eastern block factory find a home in the hypnotic space that floats between minimal and techno!supported by laurent garnier, martin eyerer, seth troxler, florian meindl, kabale und liebe, alland byallo, franco bianco and many more…

sister label to markantonios analytic trail imprint, mkt is all about providing a channel for different concepts in techno music. looking forward in to the future of electronic music, mkt is a space for new sounds to develop, evolve and emerge.originally created as a home for markantonios experimental works mkt has developed into a chosen destination for fellow forward thinking techno artists. this latest ep sees bosnia mladen tomic (adult records) deliver a 4 track ep.tangas is a powerful, bass driven groove that brings the tension. opening up with a cleverly drawn out build of shuffling hats and jittery stabs the culmination is comes as the pressure drops and is joined by a heavy kick and pulsing bassline.blue avenue sees tomic throw a large slice of funk in to the tech melting pot to produce a firing, discofied stripped back groove. constructed of simple but well defined layers this is an unsung hero of a track that djs will find very useful. bubamera combines harmonic melody with driving tribal rhythms to create a truly distinctive piece. high on energy but subtle in its approach, this is peaktime tech house that skilfully combines musical elements with an intense cadence.black white man continues this unique sonic journey with a combination of industrial beats and funked up rhythms. the most uplifting of the tracks on the ep, this cut packs plenty of bounce and shimmering atmosphere into the mix.

busy french scene-climber julian jeweil presents a brand new electrifying offering for his debut on len fakis figure imprint. a resident of marseille, and a well known name amongst the french post-minimal-techno key players, jeweil is beginning to earn a name for himself far beyond the reaches of his home land. this insistent, rolling club destroyer is full of high quality attention to detail, thrilling fills, wild-pitch fx and an urgency that literally demands you to move. >my cat< is sure to be a winner amongst djs who have the confidence to really bear their claws...! instantly recognisable thanks to its immense pitching, hissing moments of climax and release, this cat is wild!..

after a string of highly regarded releases on home label 20:20 vision, uk producer moodymanc aka danny wards strongly original sound and taste for the party has now brought his music to german shores…. his freakily percussive warehouse tool >preacher (bum bum drum dub)< recently featured on steve bugs bugnology 3 mix, and steve was so into moodymancs stylings he simply wanted more!! >snore (dubba dub)< is a finely crafted tribal edged beast, full with invigorating percussive elements, haunting vocal sustains and mancs now trademark dubba-dub stutters. its a roomfilling club tool, infused with the all buzz of a rio carnival, and indeed the warehouse jack of the uks rich northern club scene. switching musical zones slightly, but of course not compromising on quality, >next song< takes us into the darker, deeper and more playful of moodymancs acidic heritage. as a regular dj at the legendary back 2 basics club in leeds, this fellow certainly knows a thing or two about working the floor, and this cut will rock it with equal amounts of deepness and naughtiness! the original, more blissed-out version of ‚snore‘ is also included, which really shows off the musician skills behind wards productions. this real celebration of house is characterised by razor sharp percussion and tastefully soulful synth work, evolving and morphing into a dreamy yet energetic trip… quite a package!

created as the main vehicle for delivering paolo mojo productions, oosh was one of the labels of 2008. championed consistently by pete tong on radio 1, including an essential new tune and essential mix this year, paolo mojos production profile has risen spectacularly, gaining momentum on the back of nightlaw, brooksong, the dancer, sirena, interstellar and home having broken new ground on previous ep (deus ex machina / que loucura de som) with a fierce technoinspired sound that received support from felix the housecat, joey beltram, marco bailey and justin robertson, oosh moves on to a round dozen with two more peak-time tracks.

the second instalment of the aprÚs vinyl series sees australian producer touch sensitive (also a member of van she) kicking things off with >body stop<, an italo disco stomper thats been at home in the fc catalogue for quite some time. recently unearthed by london based producer toby tobias in a chart of >hidden gems< it seemed only natural to ask toby to remix body stop and the result sees toby putting more space in the track, pushing it further onto the dancefloor and keeping it playful all at once. on the flip we take the uk connection a little further with leeds based producer bonar bradberry floating into cosmic territory with >fought & won< whilst toby tobias turns in some glorious tour-bus-disco on >azul blue<, guitars and acid lines sitting comfortably side by side for the ride.

after a longer gap than intended, part two of the cage & aviary remix series lands with a bang. truck are an enigma of a band, only forming when the astral alignments deem it appropriate - the next is due in 2012. cage & aviary take the brilliant vocal into proto/acid house territory with a killer bassline ready to move any dancefloor. crude vocal cut ups add to the 80s remix feel, while guitar licks, god pads, and all manner of prophet warblings come and go in a patchwork of angled sounds. sinister strings cut through at the mid way point before the superb outro vocal takes you home. for the dub, ape into jam & leo zero put their heads together and push the track into more of a dancefloor place, employing arpeggiators to keep the cut and paste elements rolling along. leo is a man of many excellent edits, productions, and remixes - watch out for an exciting new vocal project coming from him soon

thieves like us is a musical vehicle - an elegant starship, pointed straight to the heart of the listener. they align themselves musically with europe, and consider paris their home (although none of them are french). pontus berghe (drums) and bjorn berglund (keyboards) are from sweden. andy grier (vocals) is from the united states. they met at a picnic in berlin. people often ask them to describe their sound, and although they encompass a variety of influences, they ultimately consider themselves to be a pop band. but no matter how you interpret thieves like us if you have a pulse, youll know their songs by heart already.

enigmatic producer kaºpar delivers 6 tracks which vary from punchy electronics to breezy house. first track, in the club comes in a wicked gerd remix and moves forward with a driving, deep bassline aided and abetted by punchy drums, fluttering rhodes and kaspar & his friends tripping, stoned & abstract vocals. its an 6 minute opus which navigates a shifting array of predominantly instrumental passages, featuring some fine solos and never tiring before its sudden end. house of cards and calvary centre themselves much more on kaºpars versatile ability to create pumping house that leans to the new york sound and float between house, jazz and soul. the whole affair plots a course through a constellation of styles suitable for both home listening as well as dj-play. this is house, not the lazy off the peg kind, but music which lives up to its name

minus has released a first rate selection of home grown artist albums over the past 18 months, with heartthrob, false and gaiser all creating long players of real substance and this trend is set to continue in 2009 with arguably the label’s most significant release of recent times. louderbach’s long awaited second album autumn represents another jump in the evolutionary cycle of minimal techno, having developed from the largely instrumental project that gave us enemy love into a fully-fledged song based outfit. as a result, autumn has a much deeper feel than its predecessor and indeed breaks new ground, with the dark metaphors of gibby miller’s often chilling vocal performances fitting hand-in-glove with the ominous landscapes and broken architecture that troy pierce constructs so effectively. drawing on shared influences such as bauhaus, coil and joy division, the duo have conceived an album of emotional depth and exquisite detail, appropriating the best elements of these early-eighties pioneers and reinterpreting them through a contemporary lens to achieve a perfect balance of style and content. it’s the result of an unspoken understanding that spans thousands of miles from their respective homes in l.a. and berlin and this distant intimacy is a naturally occurring theme throughout the album, manifesting itself as dark, twilight tales of melancholy romance, burning obsession and the slow, disintegration of desire

we re not sure if theres been a whole lot of russian vocal led synthy disco around of late / ever, but we definitely like the idea of it. and so we have the first release on the brand new tirk affiliated label nang. d pulses sound is a sonic cocktail that represents the different flavours of its ingredients. great for dancing, as well as regular home listening, making love or preferably cooking. you can call it russian house, full of spirit, soul and its own philosophy. now on to the tunes. the foto mix of more combines cold robo synth bass and stripped back rhythms with the haunting tale of love, loss and the ultimate fulitility of existence (probably). the original mix lives up to the live jam side to the d pulse manifesto with organic funk and jazzy chops leading the way. fellow russian alcos coolkas carries on where his new work on tirk left off, with simple but sparkling and sophisticated electronics working away with snippets of the vocal to mesmerising effect. the package rounds off with the spacey, warm, instrumental highway to saturn. nang has launched!

the follow-up to last years deep in need, the haunting me ep brings three new soulful and sleazy tracks from dirty bee. since house has been a buzzword for the last year or two, old-timer dirty bee shows the kids that its possible to give a shout-out to the old school, while still finding plenty of room for innovation. the title track, featuring bees friend luther on vocal duties, brings a paranoid vibe that crescendos with fluttering chimes and a baltimore breakdown. on the flipside, things get a bit filthy with out of body: pounding bass with conga accents keep the tempo, while a drunken, off-kilter saxophone solo tries to find its way home. finally, the snarling, electrified bounce of work for me closes out the ep. spread the house gospel!

germanys sasse aka klas lindblad co founder of moodmusic early home to henrik schwarz supplies 2 superb remixes to compliment a corking original proper old skool deep house with touches of sabres sublime smokebelch

moeller s third, already highly anticipated ep for third ear, following the jazz space ep (3eep-068) and the one man s junk ep (3eep-088).once again we have selected 4 cuts of varying mood and intensity to create an ep offering many possibilities for the dj and a rewarding home listening experience. a1 - traffic (new wipers mix) is a driving wide-screen track which will turn the dancefloor into a heaving mass of frequencies and beats. this is close to a peak-time track. this is a high intensity track that holds the vibe in a state of impending release underpinned with a deep, open groove. 126bpm. a2 - slight transition takes the vibe very deep and keeps it there. a simple (genuinely less is more) drum pattern of a lightly hit snare drum, hi-hat and occasionally shaken guiro over a hypnotic bass pattern, hold the track in place for nearly seven minutes. a masterful control of tension offering the dj a number of options for where to take the dancefloor from this moment s respite. 119bpm.

a heavy weight combo takes shape on release number eleven for those cheeky jinks chaps! legendary vocalist robert owens joins up with dan & chris and the result is a real funky house outing with tougher beats and a jagged groove that hits home hard. on the remix tip blackstones mark grant drops a slice of late night soulful action, taking the beats on a slightly lighter affair and complimented with a whole heap of rhodes and musical touches - another stellar package

from the hot bed of music over in san francisco rong music are highly regarded as the best in all things deep house & discotastic - with an incredbily strong catalogue already in their arsenal, their debut release back in the uk boasts an essential rework from the one and only greg wilson! its sublime space disco for todays dancefloor, and the perfect way to announce their new home this side of the atlantic

big with oner ozer, anthony collins, 2000 and one, karotte, shur-i-kan, fabio fabio giannelli, shinedoe, raresh... they re already making waves in their home country of romania, now dropping two absolute massive house tracks on amsterdam s bangbang!

sam mccarthy, camdens newest and most exciting singer songwriter, stands out from the crowd by staying away from any scene or sound you would expect from his north london home. as you can probably tell from this debut single, cherrytree - a countryesque ode to young love - sams songs are classicly written and drawn from many influences other than his contemporaries.

nice price deal !!! new boy ryan delivers a thumping big room track, ridney & jamie wamie stand up full supported by pete tong twice on his fast trax show! dont delete sunset exclusive new track from the dont delete boys, just in time for the miami beach parties. jay north beautiful people a huge hit is jays home country of norway, this anthem returns with a killer remix from kid massive

after the well received dvk remixes subsitenz thought its only fitting to pair up one of dnbs hardest and bulgarias biggest export cooh with the two south london stow aways dvk. there fruits of their labor as you would expect is fooking insane. off the leash is not for the faint hearted or pregnant a relentless driver of a track with beats that mutate and evolve constantly over subs fatter than dawn frenchs ass. with the signature dvk rolling percs and pumping side chained filth matched with coohs lethal arrangements and movement of beats off the leash is one pissed pit bull in a poodle parlor. once bitten twice shy is a techy affair still relentless to the core with all the twist and turns that are synonymous to the likes of cooh and dvk. filthy stabs and hits are thrown manically around like a poltergeist having an epileptic fit in a china shop adding chaos to the already frantic bass and grooves. the main heart to his puppy is banged home half way through of its unnatural life were it warps from chilled pads to a nodders delight. dvk and cooh have started the fire and will be back to fuel it very soon!

after a long break quagmire strikes back with a limited recordrelease. 300 pieces of vinyls only. this time, ion ludwig teamed up with thomas azier, a young dutch rising singersongwriter. together they blended their particular styles into four different tracks, all working soulfully and musical. all tracks where created with own recorded sounds. keys, vocals, harmonicas, djembes, bongos, shakers and so on where played by ludwig & azie,

after a very long break afrobutt is back! many will recall the wonderful moments he brought us with offerings on big bear and noid. this time afrobutt jumps ship to the bright young things at electric minds. afrobutts life has been dedicated to two things and they are disco and butts. he spent the last 15 years researching these two subjects so he could then report his findings to the rest of his tribe. the journey has been a long one, but on his travels afrobutt would make recordings and rearrange them in way that would not offend the rest of his tribe. heres a 3 track ep tacking from the full length cd, shimmering in their full disco glory no stone has been left unturned to reach his goal of providing sexy, dubby disco music that will have you butt shaking at home or on a disco friendly dance floor.

the new white release comes with a fundamental change: it s an artist ep. the faces series was a very radical and honest way to launch an artist. but for the artist eps we wanted to give them space, so they can share deeper insights of their artistic development with us. says oskar offermann, who runs the label and does all the a&r decisions. the kick-off ep comes from german-peruvian nu , who stood out already with his last white release voca (white004). he was desperately in search of a musical identity for his peruvian roots. so he decided to join a group of shamans during travels through his home country. and they took him on a spiritual journey, in order to find his lost roots on the other side. a trip to hell which lasted a few days.

watch out for s-max new project ?osmo anarchy? the vol.1 here has an old school chicago ghetto trax flavour all the way - 3 minimal-funk tracks with killer groove! the b side really stands out with this strong analogic house production track, the a1 and 2 are funky, strong grooves with freaky atmosphere in the following of boogizm? best releases! after the fantastic make somebody happy ep released in 2005, s- max comes back on telegraph with cosmo anarchy presented in 2 singles released in a row. both ep? are a blast for dj s! s-max productions differ between house (moodymann/ jovonn/ nugroove), minimal (dbx/ todd sines), crispy+funky (herbert/ ark/ perlon/ akufen/ morgan geist) and funky techno (christian vogel, tobias schmidt, neil landstrumm, claude young). generally influenced by classic detroit/ chicago/ early warp and the whole brighton- stuff

adam beyer retruns home to release on his own drumcode imprint with his first solo release on the label for a very long time!! this year will see adam release more of his own superb solo material across his 3 labels - this release being the first. the a side track - >london< is an epic building killer subjecting your senses to a 10 minute barrage with its clever builds and peaks. on the flip side >whos got the virus< is a nagging funky groover with its amazingly addictive bassline, vocal refrains and atmospherics

back home! after the big success of backstage bitchon karatemusik, electrixx hit you with their new amazing release!

reissue of album from 1975/a satisfying dramatics collection that includes their revised, campy version of me and mrs. jones, which had remained a staple of their live shows. astrology was riding high in the mid 70s, and (i m going by) the stars in your eyes provided fodder for astrological discussions as the guys poo poohed the differences in personality traits associated with the signs. a good balance of fast and slow tunes helps make this album a winner. good things dont come easy and never let you go are two frantic dancers that chug along faster than a speeding locomotive, while trying to get over losing you succeeds in treating losing your lover in a positive, uplifting way. the guys must have been loaded with material to keep this one off a 45. likewise for the aching, painful i cried all the way home, one of tony hesters best compositions, and easily the best ballad on the album.

hotly tipped newcomer from germanys deepest southwest. deep and melancholic house music with a techno edge. as influences, he names klaus schulze, tangerine dream or orbital.

late night dirty, soulfull tech for any dancefloor! our main man hits home once again running on this one, reminds us of the old paper recordings days with a crazy penis vibe. this record is a monster on the sound system, enjoy!

refreshing as a blast of warm disco breeze to the nether regions comes this sultrily intoxicating outing which sees hanna produced in paris by purple musics alfred azzetto and italys vincent valler, accompanied by a genre straddling array of mixes. the french sung tune recalls classic french disco while the backdrops are sympathetic despite their diversity: alfreds sub sub mix stretches around the incredibly catchy song as a sexy piano vamp, dj fopp & walterino take the straightahead house route, ii moods recall knuckless 90s productions with lashings of stately piano, christian hornbostel goes for minimal dub, souldynamic & fioresehome home in on the sexy vocal over a gathering acid storm to delirious effect and blacksoul uncork a thumping deep house excursion uncannily recalling late 80s chicago with bare piano and haunting textures before switching gear to new york of that period. each one is dominated by that great vocal, the sort that sounds great on whatever you place it on apart from david camerons beat box bottom. pretty essential.

watch ya feet is a beast with two heads as not one to do things by halves gavin has presented not one but two mixes, which both reflect the mood and scene of each of his homes. on the berlin mix, gavin captures the innocent late night energy and rawness of a berlin dancefloor. the twisted bassline, eerie tech house groove and warped noises roll along while the chicago-esque horns shriek out over the chaos. the london mix truly conjures up memories of londons finest venues, whether it be fabric or the end through to the afterhours of kubikle and retox. the groove here is a lot crisper than the german offering with the horn hook taking the to a euphoric climax. ewan pearson is one of the most highly acclaimed producers / remixers around, with past work including goldfrapp and the chemical brothers. his remix is one of pure energy as the track is transformed, through flawless production, into a sinister powerhouse of rising electro-techno that would feel at home in the sets of the likes of smagghe, weatherall, richards and mayer to name but a few.

first of all the ortloff is home to a couple of people. in the beginning mainly used for living, working and exhibitions the ortloff now has become a centre of art and music subculture at leipzig. inspired by this creative atmosphere, artists, designers and musicians came together to produce their own record. this interchange of ideas makes the forthcoming ep >ortloff 1< a unique piece of art and music

the home of quality deep house. pengs very own maestros of music the rurals deliver a real slice of sumptuous vocal house as only they know how! jay tripwire unleashes a slightly darker, retro-tinged outing using snippets of the vocals alongside stabby synths & rolling beats. the original & candy dealers mix are bursting with uplifting chords,sweet melodies and heart-felt vocals

ooh yess! shadowfax starts the new year with a monster ep! dj dandi e ugo are 2 italian producers with a huge fanbase in their home country. having releases on lasergun, great stuff and stereoseven, these boys are experienced artists. their skills result in a series of highly functional tracks, handcrafted from a minimum of digital input. dandi e ugo create a solid groove with huge amount of funk, these tracks contain all the right ingredients for the masses! this gigantic 4-tracker will definitely blow up every dance floor around the world!

quality cosmic tracks by lindstrom here!! where you go i go too comes in 2 parts attended by grand ideas and the long way home!! double 12inch edition!!

iron curtis pieces originate in a place simultaneously tuned to the sounds of detroit, chicago and hamburg. in his home town of nürnberg, johannes paluka is more familiarly known under his surname, which he goes by at the turntable. intertwining deep-house with soulful techno in a disturbingly enchanting manner, his sound moves in the equilibrium of reduced, but never minimal. flashes of kitsch brighten the dark universe of iron curtis, but fail to interfere with the melancholy subtext. profound music for the dance floor!